Thursday, 29 December 2011

UK Glitch Hop: December round-up

Hope y'all suitable stuffed after the last few days of feasting! The gifts ain't over yet as here's your December round-up of UK Glitch Hop...

West Midlands label Beta Birmingham has just dropped a dope glitch-hop and bass music compilation called Anty Riot Squad featuring the likes of Inaudible, Defunkt Dialect, Terrorbyte and Automaton. It's out now on Addictech
  01 - Automaton - The Law Of The Land [clip] by Beta Birmingham
  02 - Oomph - Flow [clip] by Beta Birmingham

  03 - Defunkt Dialekt - Mix And Rewind [clip] by Beta Birmingham

South West duo Critical Cuts aka. Dephicit & Barely Legit have released a sweet and squelchy mixtape called Half Cut Sesh One, which suggests a.) that they were half cut when it was recorded and b.) that there's a volume 2 on the way. Catch them on New Year's eve at the Phoenix in Exeter alongside a massive d'nb, breaks and dubstep line-up. They've also got a monthly show on SouthWestUnderground - more news when it gets back on air in the New Year.
  Half Cut Sesh One by Critical Cuts 
    Dephicit - Lazer Crack by Dephicit

Congrats to Mouldy Soul and Colony Productions who reached the top spot on Addictech at the beginning of the month with his HyperSquelch EP. UK represents!
  Hypersquelch EP (OUT NOW - Pre-release on Addictech!!!) by Mouldy Soul

Honorary Londoner AMB has posted a new mid-tempo track to his Soundcloud with a beautiful melodic breakdown about 3/4 in
  AMB - Backbone Giggle by AMB

Goodingfluence shared this re-fix of Tipper's Chrome Splat on the UK Glitch Hop Soundcloud group
  Tipper- Chrome Splat (Goodingfluence Edit) Free download! by Goodingfluence

I'll leave you with this lush glitched out remix of Lamb's Butterfly Effect by Manchester's  ☆¸.•*`Pixie-Dust☆¸.•*`•.¸ , again from the UK Glitch Hop Soundcloud group
    Lamb - Butterfly Effect (☆¸.•Pixie-Dust Remix¸.•☆) by ☆¸.•*`Pixie-Dust☆¸.•*`•.¸

That's it for now. If I can find the time I'll be doing a round up of the year in the next few days. If you want to be considered for inclusion, post your tunes and mixes in our Facebook community and Soundcloud group.

We're hoping to have a Glitch.FM show in the New Year - watch this space!

Thursday, 24 November 2011

UK Glitch Hop: November round-up

Big month for UK Glitch Hop! Not only have we got a Facebook community and Soundcloud group going great gunz, but there's been a shedload of quality music coming out, including...

...the return of the king! Following on from the Snake Eyes EP, Dave Tipper's dropped a stonker of a release the Bubble Control EP - accompanied by a promo mix that's had glitch hop producers the world over jizzing on their controls with excitement at the quality of his production. Just read the comments below...

  Tipper Promo Mix 2011 by tippermusic

You'll probably also like this well timed freebie from Enig'matik.
  Tipper-Cycleswithincycles (Sun In Aquarius BOOTLEG RMX) [ENIG'MATIK RECORDS FREE PROMO] by Enig'matik Records

Skanky Panky records co-founder William Breakspear's given us a tantalizing taster of his long-awaited album Bardcor, coming out ant minute now on Rocstar
  BARDCORE ALBUM PREVIEW! by William Breakspear

...and a tasty remix of K+Lab's and Funkdamunk's brilliant McFly was a Raver
  K+lab and Funkdamunk - Mcfly was a Raver (WB's "Power of Love" remix) by William Breakspear

Bobby Tank unleashed the epic Vanquish EP on Vermin Street right at the start of the month. Described by Zen Death Squad as a "Pure funk dream" the three original tracks and myriad of varied remixes span post-dubstep, glitch, wonky and funk. Brilliant:

  Bobby Tank - Vanquish EP (OUT NOW ON VERMIN STREET RECORDS) by BobbyTank

Swiftly followed by the even more off-the-wall Nexus Moonburgers EP:
  Bobby Tank - Nexus Moonburgers EP (OUT NOW ON PRIME DUB L.A) by BobbyTank

Plus here's a more recent freebie:
  Break Away by BobbyTank  

Inaudible served up a killer mixtape this month too, this one for Guildford's KaneFM, which recently got it's licence and have been havin' it even larger ever since. I don't know how he's crammed so much into 30 mins! Catch him in Birmingham on 22 December.
  Nov2011 Mix for by inaudible

01. Dimlite – Elbow Flood
02. Robot Kotch – Bugs
03. Nosaj Thing – Quest (Low Limit Remix)
04. Soulparlour feat. Raziel Jamaerah – Don’t Stop
05. Unknown - Thai Honeymoon
06. Amon Tobin – 4 Ton Mantis (Bonobo Remix)
07. Modeselektor feat Miss Platnum – Berlin
08. Milez Benjamin – Chop That Wood
09. Zen Deathsquad – Superman (ZDS Remix)
10. NastyNasty – Brooklyns Finest
11. Fulgeance feat 215tfk – Bien Rond (Kelpe Remix)
12. French Turist - seq6 (Vox Noam)
13. Montgomery Clunk - Sink The Clunkmobile
14. Acre – Patterns
15. Mad Zach – Glitch Villain
16. Modeselektor feat. Busdriver – Pretentious Friends
17. ill.Gates, Opiuo & Vent – TriLLogy
18. Spoonbill – Catfish
19. Logreybeam - Premonition (evac remix)
20. Tipper – LED Down (Serc Remix)
21. Lakritze – Killswitch
22. Monolithium-Selfish Lil Crunk
23. Nino & Coco Bryce - Metropolis (Krsur Remix)
24. Swedeart feat. Stray - Linguistics (Sam Irl Remix)
25. Mr. Bibal & Chiky B – Galaxy
26. Kraddy - Operation Prometheus

Mouldy Soul's been teasing us with two very tasty new EPs, on Colony Productions and Broken Records, and a laid back little remix for Riddim Fruit, release dates still tbc
  Supernova - Shimi Sonic (MouldySoul Remix) by Mouldy Soul
  Insert Ep by Mouldy Soul
  Hypersquelch EP by Mouldy Soul

If you can't wait for those, get your chops round these freebies in the meantime:
  Freebees :) by Mouldy Soul

Slugabed's let some kittens out the closet. (Doesn't he look cute?)
It might not have been November, but Rustie's debut LP, Glass Swords, is still pretty fresh. It sounds a lot like a game boy at a disco. Grab the free sample of All Nite here:
Rustie - All Nite (taken from Glass Swords) by Rustie

Koan Sound's mixed-up another monster, this time for LAs Kill the Noise
  Kill The Noise - Deal With It (KOAN Sound Remix) by KOAN Sound

I was inspired by their Funk Blaster EP for my last mixtape:
    Are you funking my face? by Morbidly Obese Midget
Koan Sound - Talk Box
K Lab / Funkdamunk - McFly was a Raver
Blunt Instrument - Simmer Gently
D Carls - All In
Koan Sound - Funk Blaster
GRiz - I'm Home (FreQ's Moombahton Relick)
K Theory - Glitch & Blues
Love and Light - Ninjas Brothas Motha
William Breakspear - Vowel Mouthed
Knight Riderz - Enter Reality
Eddy Crusher - Starting Blocks
Opiuo - Moose Tooth
Bobby Tank - Questar

Ninja Dave's put me onto this wicked slab of electro glitch-funk from London's Sabre Pulse. The rest of the album morphs across the hole gamut of bass music, well worth checking out!

On the flipside Orangudan's served up a beautiful downtempo mix. Good to see lots of Ninja Tune and other flavours in there: 
  UnDaMu by Orangudan

You can argue whether it's glitch hop, but Benji Boko's doing pretty well on the DJ Shadow remix comp:
DJ Shadow Ft. Little Dragon - Scale It Back [Benji Boko Remix] by BENJI BOKO

They're not from UK, but my personal vote's for Blunt Instrument's funky-arsed bass version, currently sitting at the top of the group:
  DJ Shadow - Scale it back (Blunt Instrument remix) Check Description to VOTE by bluntinstrument

And last but certainly not least, the grand master of west-coast digital psychedelia, Android Jones has an exhibition at Hoxton Gallery opening 28 November. You've probably seen his work in the Inspiralled gallery at Glade, at Boom Festival or in the Fractal Village at Burning Man where it graced the flyer this year and many of these works will be the result of his legendary live performances, where he visually realises his response to the musical environment he's in. Don't miss it!

What have I missed? If you want to be considered for inclusion, post your tunes and mixes in our Facebook community and Soundcloud group. Oh, and if you want to have a say in what we
 call our show on Glitch.FM, then vote here!


Sunday, 6 November 2011

Review: The Glitch Mob at Spectrum Bass Bomber, Electric Brixton, 5 November 2011

Comprising three of the most talented early innovators of West Coast glitch hop - Ed Ma (edIT), Josh Mayer (Ooah / Of Porcelin / PANTyRAiD) and Justin Boreta (NastyWays / Slidecamp) - The Glitch Mob have done for their music in the US what Benga and Skream have achieved for dubstep in the UK.

The timeline is fairly similar too. edIT's first release on Planet Mu in 2004, Crying Over Pros For No Reason, is one of the earliest examples of the genre that now not only saturates the West Coast of Canada and America, but has followers across Europe, Australia, South Africa and beyond.

2007 was probably the year that saw the scene begin to consolidate itself, with a second album from edIT, a classic release from Bassnectar, glitch compilations on Muti Music and Interchill, and the first tunes from Ooah and Boreta. In the Bay Area and LA, edIT, Ooah, Boreta and co-founder Kraddy found themselves touring together to promote their sound.

A string of genre-defining remixes as The Glitch Mob followed, freely shared through their website, and collated in 2009's Crush Mode mixtape. The music had all the bounce of the most beat focused hip-hop, all the bombast of rock, and a tendency towards the epic, layered with g-funk synths and guitar crunches. Last year the departure of Kraddy foreshadowed the release of the collective's first self penned album, Drink the Sea.

The album marked a change. It was geared towards live shows rather than record bags, with pounding drums and a stadium feel. As a DJ, I was disappointed an found many of the tracks to be too similar, but Drink the Sea is loved by many and found the Mob a lot of new fans. Although I couldn't make it to their UK album launch at Koko and January 2011 tour, I heard reports of the live show: three guys fiddling with laptops, that didn't fulfill the promise of the epic music.

Which brings us to Spectrum's Bass Bomber at Electric Brixton last night, the second UK date on an epic European Tour for the Mob.

When we arrived, Pete Jordan was playing a banging bass set that just about covered all bases imaginable. In front of him sat three sets of Ableton controllers, touch screens and electric drums, all controls facing towards the audience. Where they going to be turned around? They surely wouldn't play with their backs to us?

As the edIT led the Mob onstage, black shirts, white ties, in a cloud of smoke, crowd chanting, the trio leaned over from behind their kit, still facing the audience, to begin sequencing and playing touch-pad synths and effects in full view. This was going to be a live show.

With the "put your hands in the air" sample of the opening track, things had the instant feeling of a stadium rock concert. As hundreds of live hand claps began to punctuate the beats, I couldn't help but feel a tingle up my spine.

While some might question the virtuosity of playing patterns on pre-programmed touch pads, tracks like 'Fortune Days' soon began to really show off edIT and Oaah's deft finger-work, trained through years of vinyl teasing. Meanwhile Boreta was a quiet presence on the left, like the rhythm guitarist of the group, constantly cuing and tweaking. The drums got a frequent battering from all three, adding a strong dynamic to their movement on stage.

The stand out tracks were the classic remixes 'Red Dress On', 'Monday' and 'West Coast Rocks', which really got the whole place popping like it was New Year's Eve. It also gradually became apparent that the 'same sounding' feel of the album tracks actually held the live set together as a thematic progression.

The set culminated in an encore opening with the suitably epic 'Drive it like you stole it' and it was another cover, The White Stripes 'Seven Nation Army' dedicated to all the "filthy fucking bass lovers out there" that wrapped things up in triumphant style, to a sea of arm, people sitting on each others shoulders and double-time clapping. The Mob's sound is so warm and all encompassing that I don't think anyone really wanted it to end.

On the basis of last night's performance, The Glitch Mob have successful overcome any criticisms leveled at their live show and are all set to be the melodic stadium-rock pin-ups of the glitch-hop world. The real strength of their achievement for me, though, is that unlike Magnetic Man they've managed to do this without compromising an almost entirely instrumental sound.

Having finally understood the context of the Drink the Sea, I'm now looking forward to seeing where they go with the next album.

Check out this interview with Ooah and The Glitch Mob's latest mixtape here:
  More Voltage by The Glitch Mob

Full props to Pete Jordan and the Spectrum crew for getting the Mob over here (twice now!). I'd love to see more US acts brought over next year (ill.Gates, Love and Light, Mim0Sa Stephan Jacobs) with support from UK talent like Zen Death Squad, KrossBow, Inaudible, Bobby Tank or William Breakspear. If you're with me, like this!

Wednesday, 2 November 2011

Still in a Reverie with ill-esha

ill-esha's first album, Circadian Rhythms (above) was a real grower for me and stayed playlisted for a long long time. The latest release this summer on Muti Music, Reverie, has been no different - it just keeps getting better! Her sound is really organic, with some kinda bass soul. She just makes damn good music. Check out the samples below and Get the album!

  Ill-Esha - The Golden Mean by Muti Music 
  Iron Waterfall (clip) by ill-esha 

Full tracklist
Reverie (Muti Music)
1. Sidewalk Chalk    4:56
2. Retrospect    3:57
3. 33 and a Third feat. Joe Mousepad    4:21
4. The Golden Mean    4:53
5. Iron Waterfall    5:18
6. Pretty Banger    4:46
7. Slide Over    5:39

Recent banger with Opiuo

Here's a nice bunch of remixes that always go down well too...

Monday, 31 October 2011

UK Glitch Hop rocks

So, following a 2011 UK tour from Bassnectar (the first in 7 years), The Glitch Mob also return to the UK this weekend. With dubstep getting ever more US sounding (Flux Pavillion, Doctor P), a jaw dropping EP from Zen Death Squad this summer (pictured above) and an amazing forthcoming tune from Koan Sound on Zane Lowe's playlist this week, the time feels ripe for UK Glitch Hop to blow up in 2012.

On this tip I've started a UK Glitch Hop Facebook page to help you keep track of events and releases, as well as keeping everyone else posted with what you're up to (Like Like Like). According to Facebook there's over 30,000 of us in the UK who like US glitch hop acts, so lets get behind our home-grown talent as well. They fucking bounce! Here's a guide to what's out there at the moment...

Released today, here's a sample of that literal Funk Blaster from Bristol's Koan Sound:
  Funk Blaster by KOAN Sound

With heavy props from the likes of ill.Gates, Ben Samples and Muti Music boss Dov, this is my EP of the year so far from London's Zen Death Squad. They've just completed a US tour and have a new release on the boil.
  Cyber Dojo Lazer Training EP by Zen Death Squad

Bigup the originator - Dave Tipper is one of the artists that got this whole thing started and probably the first person I ever heard playing glitch hop in the UK

  Snake Eyes / Chrome Splat by tippermusic

Led by William Breakspear and based in Liverpool Skanky Panky records has been flying the glitch hop flag on these shores for almost two years now. Although their artists range from far and wide here are a few of the UK based gems, including Son of a Glitch from London and Fredo from Bournemouth:
    SPRR004D Son Of A Glitch - Together 80kbps Preview by Skanky Panky Records
    SPRF006 - William Breakspear - Skanky Panky Tune (SPRF006) by Skanky Panky Records
  SPRF005 - Top Cat - Special Request (SixAM remix) by Skanky Panky Records
This one from Fredo
  80kbps - SPRR001B - Ent Wot Yo by Skanky Panky Records
  80kbps - SPRR001C - Vowel Mouthed by Skanky Panky Records

The first DJ I ever heard smashing balls of lazer crunk across UK dancefloors was Your Niece. He opened for Bassnectar at Secret Garden Party this year and blew the Colisillium apart
  Your Niece - Headshot Masterclass by Your Niece

Cambridge's Mouldy Soul comes with a heavy wobble, delicate minimal techno sounding glitches, is signed to Colony Productions and had his first release with KrossBow through Addictech earlier in the year
  Wine and shine by Mouldy Soul
  What if jimi was a monster by Mouldy Soul
  KrossBow - Absolute Crisis by KrossBow

I seem to remember Vent from London making heavy ass dubstep smashers, but they've recently co-produced a sick track with ill.gates and Opiuo and released more mid-tempo wobble through Colony Productions
  Ill.gates + Opiuo + VENT - Trillogy by VENT

Inaudible from Birmingham has been pretty audible in the glitch hop community, comes highly recommended from Doktor Krank and has even remixed Freddy Todd and Splatinum.
    inaudible - an irrational fear by inaudible
  Freddy Todd - Thug Tastic (inaudible remix) by inaudible
  Splatinum - Pumping Quarterz (inaudible Remix) by inaudible

Orangudan in Worcester has been smashing out the wobble and mid-tempo for some time
  NippleRash by Orangudan

On the mid-tempo / electro side of things there's a very tasty producer coming on in Guildford called WBBL
  Wbbl Up Here by WBBL

Also down in Bristol DJ Parker is rather partial to a bit of glitch-hop. Although I've not yet heard a full glicthed out release from him it can only be a matter of time (nudge nudge, hint hint)
  Parker - The Monkey Butler Did It...Mix by Parker*

Last and probably least, here's a bunch of my old glitchtapes (fresh sounds on the way!)
  Morbidly Obese Midget - Om Bongo Whomp Hop (Tribal Circuitry 2011-04-23) by Morbidly Obese Midget
  Morbidly Obese Midget - Burning Night Paris (Wobble Till You Bounce) by Morbidly Obese Midget

  Morbidly Obese Midget - Droppin bombs on ya glitch - Nov 2010 by Morbidly Obese Midget

It's 1am on a school night, so I'm bound to have missed about a million people off the list. If I have post your tunes here!

Wednesday, 12 October 2011

Cryptex - Slaying it!

So I've been travelling Europe for the last five months making streetshows - apologies for the silence on the music front... Now I'm back, I'm busily trying to catch up with everything I've missed.

Straight to number one on my list of BOOM TUNES is 'Slay It' from Cryptex's new EP, 'Isolated Incidents' available for download now (

Slay It [Isolated Incidents EP - Gravitas Recordings, OUT NOW] by cryptex

Smooth symphonic intro drops into HEAVY oscillator glitch... I freakin' love it!!

Next up, another new release, this time a collab between basically all my favourite artists: Aussie electronic rockstars Blunt Instrument and US glitch powerhouses Love and Light. This tune is off the brand spanking new EP 'Reheated and Remixed' and it's called 'Simmering Beans Gently for Pauly':

Blunt Instrument - Simmering Beans Gently For Pauly (Love and Light Remix) by bluntinstrument

It's a mashup of tunes from Blunt Instrument's recent EP 'Twice Baked' - 'Simmering Gently' and 'Beans for Pauly', with some serious Love and Light crunk juice to spice up the mix. Get the full EP here (

And finally, a cheeky hiphop curveball for all you electronic heads out there - I sniffed this out while I was travelling and didn't get to listen to it for a while, and since then it's really grown on me to break into my 'most listened' tracklist:

Han son feat.Jay-Z by ghettofunk

If you like the tune, you can download it free from the 'members only' section of the Ghetto Funk website.

That's all from me for now, I need to get downloading more music...

Love and kisses,


Sunday, 9 October 2011

Review: Burning Man 2011 - Rites of Passage

After yearning to to check out the West Coast bass music scene since 2007, this year, with clearance from work and a willingness to plunder my savings, I finally made it to Burning Man with D-ra.The theme was Rites of Passage and this certainly was a pilgrimage for me.

Burning Man takes planning. This is a desert festival based on radical self reliance in a currency free environment, not an English country garden with overpriced food stalls and potable water on tap. For more details check out the survival guide.

Getting to Black Rock City is all part of the experience. Stories of broken down RVs and hours spent waiting for a lift from Reno are common. We flew out to San Francisco and found an eco-bus traveling from Santa Rosa (using this brilliant new ride-share site) so had a fairly easy ride of it - until at about 10pm Sunday night we hit the most epic queue of tail lights you've ever seen. Even so, were one of the earliest to arrive on site and it was quite an experience to feel the city fill up around us.

Our base for the week was with the Pink Heart at the prima-playa real estate of 9.30 Esplanade. We couldn't have chosen a nicer camp to stay in or a better way to connect with others on the playa. As well as providing shelter from the sun and pink fluffy sofas for tired limbs, we were giving out Coconut Bliss ice cream and ice cold cucumber water to all who came.

Black Rock City (click on map above) is vast and full of distractions. The best analogy I can think of in terms of size is Glastonbury Festival, where it takes hours to get between stages. It's nothing like the muddy crush of densely packed bodies bogged down in drizzle though. With a vast open space between the two sides of the city and day-time temperatures of up to 50 C, it's the complete opposite.

The best piece of advice anyone gave me before we went is to get a bike. Without one you're either gonna spend your days trekking epic distances on foot or remain slave to the whims of mutant vehicle drivers as they meander across the playa at random. We had ours actually delivered to the Playa by the guys at Re-Cycle.

The other way to travel in style is to catch rides on mutant vehicles. These DIY art projects bring the mad max flavour to the festival and for me were one of the real creative highlights of the week Many take nautical or animal themes, but there's all kinds of craziness out there. You often only glimpse them emerging from dust clouds or far in the distance, somewhere out there on the borders of mirage and reality. At night they're lit up with EL wire and fairy lights, as are all the bikes and people (you don't wanna be a dark-wad and get run over).

After a day of settling in, we kicked off the party on Tutu Tuesday at Distrikt with M.A.N.D.Y. and Lee Combs. It's all about Distrikt for the daytime party. Set deep in the suburbs of 9 and Funeral, the system fires up at about 11am when it's got too hot for anyone in a tent to sleep anyway. This is the Ibiza beach party of the playa, albeit with a more steampunk disco feel. It reminds me of the daytime Origin Stage at Glade or Funky Beach at Boom - good time vibes, beautiful, semi-clothed people and pumping progressive house building into tech funk as the dusk draws in.

My favourite moment came later in the week when a group of Santas and their elves started to infiltrate the crowd around the rig. Before we knew it the dance-floor was being pelted with snowballs.

Later that evening the city came to life. With sound the main sound camps still pretty muted, we decided to jump on the first art car that came our way and ended up all the way out on Liminal at the edges of the city for a game of glo-frisbee. A few more cars took us via a few artworks to the Man, the Temple - a most beautiful, peaceful building that would look quite at home in the Alhambra - and eventually across to the purple geodesic shapes of Disorient at 2 o'clock and Esplanade.

I'd been told that one of the best places to see the sun come up is the legendary Robot Heart, a colossal mobile rig on the back of a truck, which we found somewhere out past the temple playing deep house and funky progressive techno.

By Wednesday I'd managed to find someone with a music line-up (thanks to the RockStarLibrarian) to scour for set times. One of the first must sees on my list was Stephan Jacobs, who I caught at Dub Scouts that night. It was like heaven to finally be submersed in some proper interesting bass and his set was right on point. Stephan is by far one of my favourite producers at the moment and has just dropped this sweet new EP on Simplify.

  Stephan Jacobs & NiT GriT - Walk On Out by Stephan Jacobs

Next up was Sugarpill at Basscamp's Temple of Boom, on the corner of 10 and Esplanade, surrounded by glowing mutant vehicles an open to lasers stretching across the playa from other stages. I've been aware Sugarpill via our blogs for about 3 years, watching him progress to become a very exciting producer, so it was a great pleasure to see him play such a good set.

  Sugarpill - Live at Coachella 2011 - The DoLab stage (Unreleased Tracks Out Friday, August 12th!) by sugarpill

Sugarpill was followed by another of my 'must sees', local lads Love and Light from Reno. Alongside Opiuo these guys have been behind a funkier, squelchier bouncing glitch-hop in the last two years and their set really carried that energy, with girls and guys that had previously been lost in their own bassheads dancing together with the funk.

  Playa Nights by Love and Light

ill.gates kept the tempo up, bringing in some more ragga stylings and varied beats. Going for some kinda playa record, this animal played over 30 times throughout the week, visiting just about every sound camp, so I dipped in and out quite a few of his sets which between them covered just about every kind of bass music. A true innovator, he's just dropped his first full length album since 2008, The ill.Methodology.

  Ill Gates - Under Mi Wildflower - Free DL by ill.Gates

I was woken up by some friends Thursday afternoon and headed back to Distrikt via a mojito bar built above an old school bus. On the way back we found the notorious snack food glory hole and thankfully avoided any complimentary cock.

Thursday night was Muti Music showcase at The Do Lab's Fractal Nation Village over at 2 and Graduation. The combination of Muti Music's Clipping Paths compilation and Fractal Nation's art dome coming to Boom and Glade in 2007/2008 are what led me towards a love of the West Coast bass scene in the first place. Now I was finally here!

After the Burning Man regional effigies around the man were burnt I headed over via a Beats Antique DJ set at HookahDome (more on them later), arriving in time to catch Heyoka perfectly setting the scene with some squelchy psychedila, whilst I caught up with my fire dancer friends at the back.

It was Mimosa that I was really itching to see though and I made my way to the front. He's been a favourite for a long time and his 2009 Burning Man mix had a hell of a lot to live up to. Thankfully he delivered. The set co-incided with a pyronaughts fire-show on The Do Lab stage, which really picked up the atmosphere, even if the people standing gawping with their mouths open did kinda dampened the dancing. It was going off on front of the DJ booth as Tigran played a set that spanned more club style hip hop remixes, classic Mimosa, some amazing tune with steel drums, and the newer d'n'b dubstep of the likes of Block Party. I got totally lost in it.

Download MiMOSAs September 2011 mixtape (right click save as)

Tigran was followed by label boss Dov who played another wicked set through the full Muti Music repertoire of glitch-hop, dubstep and drumstep. We left while Freq Nasty was blowing the roof off with his own flavour of energetic dubstep.

Friday night a giant Trojan horse was dragged out into the middle of the playa by volunteer slaves. Gradually all the art cars parked up around it, sound systems blasting, jetting fire and spilling people to create the atmosphere of a mad max cruise cum space age carnival

It seemed like most of the crowd joined me in heading to the Fractal Nation Village again to see Beats Antique playing their full live set. This is quite the playa event. The place was so packed that I decided to hang out behind the mixing desk where there was space to dance with all the sound quality afforded to the legendary Monkey King at the controls. As a result I didn't see much of Zoe Jakes bellydancing, but the tunes were good and we had a loads fun.

Not interested in David Starfire ("he was just a wanker anyway", reports our Musical Mana correspondent) we split over to the Hookahdome to catch the end of Dulce Vita's dubstep set and to see Knowa Knowone, another target on the list. Due to some kinda tech issue that prevented clean switch-overs the crowd had completely disappeared by the start of Knowa's set. As he eased us into his glitched out percussive beats more and more people drifted toward the torchlight patch of dust, until by the end a very happy crowd were popping and swaying to Knowa's conscious sounds. Someone very kindly lent me some fire poi for my only voluntary spin of the week, finishing just as the technical hitch kicked in again. I went to have a chat to Knowa afterwards and he's a real lovely guy. Did you know he was at Secret Garden Party last year? Neither did I, but I hope he comes back!

  Fire on the Roof (FREE DOWNLOAD) by Knowa
  ill.Knowledge (feat. Knowa Knowone) - Free Schmunday School EP by ill.Gates

After riding and dancing on a few art cars that were cruising up and down the strip at 2, we set off on foot into the deep playa for sunrise. Halfway across we found a Hawain hog roast BBQ going on!

I made it to Robot Heart just after sun-up to find a load of our mates for a magical morning in the hands of Lee Burridge. Sunshine out grooves, beautiful smiling people, girls in cages dangling off a crane, crazy art cars, amazing outfits and plenty of booty shakin'.

  Live on the Robot Heart bus Burning Man part 1 by leeburridge 
  Live on the Robot Heart bus Burning Man part 2 by leeburridge

After dancing our fill we retired to the bar at Nexus, where Treavor Moontribe was playing some funky and floaty Opiuo laden glitch-hop. I think I reached the point where I was to drunk to stand, or climb the dome, around the time Nanda came on.

We didn't wake till Sat eve - just in time to rock the conclave with the Fireworks Collective before the man burnt. Hungover and drained, we went back to bed straight after, not waking up till just before dawn to see the sun come up from the temple. After exploring some art as far out as we could walk, we went back to pack up camp before watching the temple burn.

This review  doesn't even come close to capturing the crazy scale of everything that happens at Burning Man. If you've not been yet, just do it and don't worry too much about catching all the DJ's you wanna see (I never got to see Opiuo, Samples, Sub Swara, Guttstar, Gladkill, Chris B, Mikhal and many more). Just go with the flow and don't get stuck on the sound camps. Make sure you make the time to explore all the art properly and to bimble through the weird and wonderful world of the suburbs - that's where the experience really lies.

I'll be playing a glitch-hop set as the Morbidly Obese Midget in The Village at London Decompression, 1.30am on 21 October. See you there!